The soundtrack with Telman’s voice by Dario Marianelli in the recent film Anna Karenina by Joe Wright was nominated for Oscar Award and received Ivor Novello award of 2013. Telman sang and appeared  as count Vronsky on the stage of the opera theatre in the movie.

ANNA KARENINA  The Movie 2012 Universal Pictures

In the recent Hollywood film Amre by Jeff Vespa, produced by Cary Granat (Scream), Telman recorded for three great tenors of the past: Georges Thill, Giovanni Martinelli and Leonid Sobinov. He plays Giovanni Martinelli in the movie, The film is due to be released by the end of 2017.  

Telman was honoured to perform a solo concert at the Medals Plaza at the Olympic Games in Sochi 2014 in front of 20,000 spectators and a world wide broadcast to 40 countries, which received acclaims. By teaming up with the composer and pianist Andrey Leshukov they delivered a special programme created for the event, spanning styles and languages.

SOCHI OLYMPICS 2014 Solo concert at Medals Plaza Olympic Committee, Europa Plus Channel THE INVADER New Irish opera 2014

The new opera The Invader by Eric Sweeney is the first composed in Ireland for an Irish theatre in 200 years. Telman played the lead role of Dion - the evil god. The performances took place at the Royal Waterford Theatre and Wexford Opera House.

Concert series in Latvia for several years in a row -  Telman presented a programme of arias and songs to the acclaim of the audiences and critics. His rendition of the Armenian aria of Saro from the opera Anoush by Armen Tigranian was a discovery for the well read audience of Latvia.

Dzintari Concert Hall Latvian National Opera Cesis Concert Hall

2013 - 2014 - 2015

“Telman Guzhevsky has just the right arrogant, swaggering charisma as the lascivious Duke.” ‐Rigoletto, Iford Festival, July 2010, This is Dorset.

Telman Guzhevsky was the perfect foil as Alfredo. Passionate, impetuous, prone to anger and terribly mixed up, he wore his heart on his sleeve and bared his soul in some powerful arias and duets.” ‐ La Traviata, Roger Jones, June 22, 2011 Seen and Heard International

Pupil of the great Maestro Carlo Bergonzi, the legendary tenor of the 20th century, Telman studied the art of belcanto and Verdian traditions.

Carlo Bergonzi The Teacher

 BIOGRAPHY


Internationally acclaimed opera tenor and actor, pupil of one the greatest tenors of the 20th Century Maestro Carlo Bergonzi. He initiated his vocal studies at the Gnesin Music Academy of Russia, continued to  Postgraduate Diploma studies on scholarships from Trinity College of Music and Guildhall School of Music and Drama in London, UK. Then he finished Accademia Verdiana, Italy, with Maestro Bergonzi.


Telman debuted in the role of Rodolfo in La Boheme by Giacomo Puccini at the Royal Albert Hall, London and at the Anghiari festival in 2006, Italy, Tuscany. He is a performer of leading roles such as Rodolfo in La Boheme (G. Puccini), Alfredo in La Traviata (G. Verdi), Don Ottavio in Don Giovanni  and Tamino in Magic Flute by W.A. Mozart, Ruggiero in La Rondine (G. Puccini), Duca in Rigoletto (G. Verdi) and others. Telman’s voice can cover a wide range of styles from operas to Latin, crossover and contemporary music. Known in Europe as classical and classical crossover performer, Telman is invited to participate in high profile recitals for exclusive events, television shows, to judge voice competitions.


FROM REVIEWS


Goose bumps were delivered by the tenor and actor Telman Guzhevsky, with a resonant column of sound which sounded in the film Anna Karenina by Joe Wright and at the Sochi Olympics 2014; he moved the audience and rejoiced their hearts to be granted a long standing ovation.The performance of Telman was greatly touching.Tutto Dressage 2015 & Wall Street International


Tenor Telman Guzhevsky offers plenty of light and shade as the Mephistophelian Dion and he uses his striking range with varying degrees of timbre and colour”‐ The Invader, Pat O’Kelly, The Independent, 27 May 2014


Telman Guzhevsky was the perfect foil as Alfredo. Passionate, impetuous, prone to anger and terribly mixed up, he wore his heart on his sleeve and bared his soul in some powerful arias and duets.” ‐ La Traviata, Roger Jones, June 22, 2011 Seen and Heard International


Telman Guzhevsky has everything that belongs to this category: Great figure, a hefty pinch of machismo, an Italian voice to fall in love and as a bonus, the ability to act what he sings. Violettas would not be able to resist if one delivers the role of Alfredo as jubilant as he did in Cottbus” ‐Irene Constantin, Konzert zum Jahreswechsel im Cottbuser Staatstheater begeisterte das Publikum, 2010, Cottbus , Germany.


Guzhevsky has a silvery, lyric Italian voice.… Currently his voice is rather closer in style to that of Alfredo Kraus than Placido Domingo, and Kraus is a fine model for a tenor of this style.” ‐ La Rondine September 2008 Robert Hugill, London UK.


“Telman Guzhevsky has just the right arrogant, swaggering charisma as the lascivious Duke.” ‐Rigoletto, Iford Festival, July 2010, This is Dorset.


“Top‐notch support came from tenor Telman Guzhevsky, who was splendid as Alfredo; the singer’s warm tone always admirable” ‐ La Traviata, October 2010, Dick O’Riordan.


I was in tears during the first act when Telman sang as Rodolfo, one of the finest tenors I have heard as well as being a good actor” ‐Member of public at Bury Court, UK. 2007.


“Telman Guzhevsky’s vacuum‐cleaner salesman turned spy brought considerable power to his tenor voice and evidently feels comfortable at the top of his range”. ‐

Our Man in Havana, Mark Bridle, Seen And Heard International 2004.


“Telman Guzhevsky's central character, Bramble, emerged as tour de force of whom Williamson and Greene would have been proud, vividly, fretfully characterised and wonderfully lucid”‐ Our Man in Havana by Malcolm Williamson. Opera Now, Roderic Dunnet, 2004.



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